What was paolo and francesca punishment

Main menu additional Become a Member Shop. Not on display. Artist Dante Gabriel Rossetti — Medium Watercolour on paper. Collection Tate. Reference N Summary Display caption. Summary The tragic story of the adulterous lovers, Paolo and Francesca, is recounted in Canto V of Dante's Inferno , and was a popular subject with artists and sculptors from the late 18 th Century onwards. The left-hand panel illustrates the following lines from Dante's text: One day For our delight we read of Lancelot, How him love thrall'd.

Frances Fowle December Does this text contain inaccurate information or language that you feel we should improve or change?

Display caption Throughout his life Rossetti was fascinated by stories of tragic lovers and illicit love. Gallery label, August Does this text contain inaccurate information or language that you feel we should improve or change? You might like Left Right. Dante Gabriel Rossetti Roman de la Rose Dante Gabriel Rossetti Mary Magdalene leaving the house of feasting Dante Gabriel Rossetti Woman in Yellow The punishment in the second circle of hell fits the sin in life because the unceasing storm sweeping the souls in hell represents the helpless tempests of passion the souls felt in life.

Lust and passion trap Francesca unconditionally in a whirl of emotions. Just like a storm, unpredictable in its motions, the desire Francesca felt for Paolo came from an innocent book reading to pass away time. Analogous to the storm which drags and sweeps the powerless soul, passion and lust can take control of the body and make it helpless to its needs. Adultery is the least sinful of sins as this is one of the first circles we are introduced to that contains a punishment.

What is seen as one of the worst acts of betrayal on earth, is given on of the most lenient divine punishments in hell. Hi Kimberly! This was a very beautiful analysis of the text. Italy was the battlefield for the political fights between the Pope and the Emperor.

Dante is aware that unless humanity achieves spiritual redemption, his world will be forever lost in the wood of sins and corruption. Each girone the circle that constitutes Hell introduces characters that embed a specific characteristic of the dominant imaginary that needs to be criticised. The only exception can be found in Canto V chapter V , in which — only on this occasion- Dante took pity of two condemns: Paolo and Francesca di Rimini.

While living together, Paolo and Francesca fell in love. Unfortunately, the brother discovered their affair and killed the two lovers, condemning his brother and his wife to an eternity in Hell.